You feel that connection with nature, but also that spiritual connection," he says.When he found this small structure, one that could easily be a catalyst for pain, Craig saw an opportunity to set the record straight."I'm not overly fussed about saving the building because it's something that needs to be saved, but I think what we can do is actually improve the building for the local community."Along with their three sons, Craig and Ros decided to carefully and respectfully remove church iconography and infuse it with local Indigenous art.The couple's son, Nick, contributed artwork of the nearby Lake Condah made from acacia wood and lava rocks."I think there's an inherent history of the building that we can't lose, so we don't really want to erase it completely, but just have a nod to the history of the building," Craig says.It was also an opportunity for the family to connect with a heritage that they didn't always have access to."Dad was separated from his family when he was an infant and didn't really grow up with his Indigenous heritage at all It's beautiful."They were able to reinvigorate this acre block with the help of a native flora expert, who reintroduced lost plants, returning the hum of insects.Outside, the real centrepiece is a yarning circle, a place that Ros says you're naturally drawn to."We've got all the native plants that would have grown here and only in this specific area